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Friday, June 26, 2009

The Scarecrow

Editorial Reviews
Amazon.com Review
Book Description
Forced out of the Los Angeles Times amid the latest budget cuts, newspaperman Jack McEvoy decides to go out with a bang, using his final days at the paper to write the definitive murder story of his career.

He focuses on Alonzo Winslow, a 16-year-old drug dealer in jail after confessing to a brutal murder. But as he delves into the story, Jack realizes that Winslow's so-called confession is bogus. The kid might actually be innocent.

Jack is soon running with his biggest story since The Poet made his career years ago. He is tracking a killer who operates completely below police radar--and with perfect knowledge of any move against him. Including Jack's.

Michael Connelly and Janet Evanovich: Author One-to-One
In this Amazon exclusive, we brought together blockbuster authors Michael Connelly and Janet Evanovich and asked them to interview each other. Find out what two of the top authors of their genres have to say about their characters, writing process, and more. Janet Evanovich is the bestselling author of the Stephanie Plum novels, including Finger Lickin' Fifteen, twelve romance novels, the Alexandra Barnaby novels, and How I Write: Secrets of a Bestselling Author. Read on to see Janet Evanovich's questions for Michael Connelly, or turn the tables to see what Connelly asked Evanovich.
Evanovich: So dude,... Okay, you're back in Florida. Do you ever get to the beach? And when and if you get to the beach...is Harry Bosch with you? And what kind of beachwear are you guys sporting? Flip-flops? Crocs? Speedo? Board shorts?

Connelly: I go to the beach often on weekends. Board shorts are required and I wear flip-flops with the built in bottle opener. Comes in handy. In Florida we rarely have waves, unless there is a hurricane in the Gulf. So I have taken up paddle-boarding, which essentially involves a big surfboard that you stand on and paddle. Still a balancing act, but easier than surfing, and you don't need waves.

Evanovich: What will a bookstore look like in 2020? Will we all be downloading?

Connelly: Good question. Since it is only eleven years from now, I think there will still be a solid population of "old school" readers who need the book in their hands. The question is, will they get it at a bookstore or will we have a Kindle 9.0 device that manufactures a book for you at home, complete with photo of author in a bomber jacket.

Evanovich: If everybody is downloading in 2020 what the heck will we be signing on book tour? Body parts? Kindle cases?

Connelly: I signed two Kindles yesterday. One person asked me to leave room for signatures from you and Dennis Lehane. So next time you're in Seattle she'll be in your line.

Evanovich: Do you eat when you write? Beer nuts? M&Ms? Just coffee? What keeps you from falling out of the chair in a narcoleptic stupor?

Connelly: Have you ever seen what eating Cheetos can do to a keyboard? I have to say I am addicted to Coke. I always have a glass of it nearby. I eat a lot of candy, too. Keeps me going. Smarties are a great writing tool. I often need to raid my daughter's stash and then there is trouble on the home front.

Evanovich: Are you a messy guy or a neat guy? Do you keep clutter on your desk? In your head? Are there soda cans and crumpled fast food wrappers rolling around on the floor of your car?

Connelly: I keep a clean car but a desk that gets progressively messier as I write a book. When I am finished with the book, I clean up the desk—and eat all the stray Smarties found under the paperwork. The clean desk then promotes the start of the next book.

Evanovich: The new book, The Scarecrow sounds terrific, and I know it's followed by Harry Bosch in Nine Dragons in the fall. Does your publisher prefer one series over another? And do you find one series to be more commercially viable than another?

Connelly: They let me do what I want. I like writing about Harry Bosch and he's pretty popular, but usually when I write a standalone it widens the audience a bit.

Evanovich: Want to meet me in a bar in Ft. Myers? Is that halfway?

Connelly: Name the place.



From Publishers Weekly
Starred Review. Bestseller Connelly comments on the plight of print journalism in a nail-biting thriller featuring reporter Jack McEvoy, last seen in 2004's The Narrows. When Jack is laid off from the L.A. Times with 14 days' notice to tie up loose ends, he decides to go out with a bang. What starts as a story about the wrongful arrest of a young gangbanger for the brutal rape and murder of an exotic dancer turns out to be just the tip of an iceberg that takes McEvoy from the Nevada desert to a futuristic data-hosting facility in Arizona. FBI agent Rachel Walling, with whom he worked on a serial killer case in 1996's The Poet, soon joins the hunt, but as the pair uncover more about the killer and his unsettling predilections, they realize that they too are being hunted. With every switch between McEvoy's voice and the villain's, Connelly ratchets up the tension. This magnificent effort is a reminder of why Connelly is one of today's top crime authors. 8-city author tour. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Connelly introduces characters from one series into other novels or series, and veteran readers will find enduring, familiar faces in The Scarecrow. A compelling and suspenseful thriller, it is also a sharp if unobtrusive commentary on the death of our nation’s newspapers, as well as a “frighteningly plausible” examination of the sinister nature of computer technology (New York Times). “Reading it will make it impossible for you to ever again think that when you do something online, no one’s watching,” noted the St. Petersburg Times. The dual perspective (McEvoy’s and the killer’s) adds depth to the narrative, if some clichéd characters and missing details marred critics’ reviews. Because The Scarecrow ends with the beginning of Connelly’s next book, readers anxious about the ending don’t have long to wait.
Copyright 2009 Bookmarks Publishing LLC

From Booklist
*Starred Review* Former Los Angeles Times crime reporter Connelly has said that his goal in writing The Scarecrow was to come up with a story “that would be a thriller first and a torch song to the newspaper business second.” He succeeds on both counts. By bringing back Jack McEvoy, the reporter star of The Poet (1996), and by beginning the novel with McEvoy downsized from his job as crime reporter for the Times, Connelly puts both plotlines in gear. McEvoy, determined to go out with guns blazing, plans on writing a story about how poverty turns a 16-year-old into a killer, but he quickly learns that the kid’s confession is bogus. That unlocks the door to a serial killer every bit as warped, perverted, and brilliant as the Poet, the case that made McEvoy’s career. It also leads to a reunion, both professional and romantic, with FBI agent Rachel Walling, who has also been popping up in Connelly’s Harry Bosch novels recently. Not surprisingly, Connelly nails the death-of-newspapers theme, from the gallows humor of the reporters watching their world crumble to the callousness of the bureaucrats in charge of the dismantling. What will drive this novel for most readers, though, is its villain, the Scarecrow, a computer genius who operates a data storage center, or “server farm,” providing security for all manner of Web sites. Except, the Scarecrow doesn’t just protect his clients’ data; he also mines it for victims. Alternating point of view between villain and reporter, Connelly builds tension expertly, using dramatic irony to its fullest, screw-tightening potential. Even confirmed Harry Bosch fans will have to admit that this Harry-less novel is one of Connelly’s very best. --Bill Ott

Review
PRAISE FOR THE OVERLOOK:

"Connelly succeeds, again, at creating a first-rate crime novel--fast-paced and dizzying....Connelly, once again, has hit a home run." (Denver Post Robin Vidimos )

"This Bosch adventure is a great read that can't be put down. Harry's getting on in years but is still a great detective." (San Jose Mercury News John Orr )

"Michael Connelly is a hard-boiled pro. His novels are remarkable for their authentic detailing of police procedures." (USA Today Carol Memmott )

"If Bosch is our detective, Connelly is our laureate, proving again that popular fiction at its best....is also literature." (Los Angeles Times Donna Rifkind )

Product Description
Forced out of the Los Angeles Times amid the latest budget cuts, newspaperman Jack McEvoy decides to go out with a bang, using his final days at the paperto write the definitive murder story of his career.

He focuses on Alonzo Winslow, a 16-year-old drug dealer in jail after confessing to a brutal murder. But as he delves into the story, Jack realizes that Winslow's so-called confession is bogus. The kid might actually be innocent.

Jack is soon running with his biggest story since The Poetmade his career years ago. He is tracking a killer who operates completely below police radar--and with perfect knowledge of any move against him. Including Jack's.

About the Author
Michael Connelly is the bestselling author of the Harry Bosch series of novels as well as The Poet, Blood Work, Void Moon, Chasing the Dime, andthe #1 New York Times bestseller The Lincoln Lawyer. He is a former newspaper reporter who has won numerous awards for his journalism and his novels. He spends his time in California and Florida.

From AudioFile
L.A. TIMES crime reporter Jack McEvoy reflects the current state of the newspaper business as he fantasizes about freeing a convict who's not guilty and capturing a vicious serial killer two weeks before he's laid-off. Narrator Peter Giles delivers the crisp and compelling copy with a deadpan tone and a pace that advances like Patton through Italy. Working again with FBI agent Rachel Walling, with whom he worked on a serial killer case in THE POET, McEvoy is a strong character who shows a soft side when he falls in love with Wallling. Scenes involving the stalking of McEvoy and Walling raise hairs at the back of the listener's neck. Great characters and a satisfying ending cement Connelly's place as one of the best crime novelists working today. R.O. Winner of AudioFile Earphones Award © AudioFile 2009, Portland, Maine